DUVEEN, Sir Joseph (1923)


Description:
Half-length standing with cigar in left hand. Oil on canvas, 33 1/4 x 24 1/2 ins (84.4 x 62.2 cm.) Signed upper right ‘A. Muller Ury’.

Location:
Private Collection, Switzerland.

Provenance:
Private Collection; Lawrence Steigrad Gallery, 42, East 76th Street, New York, N.Y. 10021, U.S.A.; Sold by Lawrence Steigrad at TEFAF Maastricht 2006 to a collector, said to be a Duveen family member, for $95,000, the highest price ever paid for a Muller-Ury painting.

Bibliography:
The New York Herald, Sunday, April 22, 1923, p. 24, ‘Painter of Popes is this New York Artist’ (final illustration showing the artist working on the portrait);
Stephen Conrad, “Re-introducing Adolfo Müller-Ury (1862-1947): The artist, two dealer, four counts and the Kaiser: a hitherto unknown episode in international art history” in The British Art Journal, Vol. 4, No. 2, (2003) pp. 57-65, p. 58, fig 3 (reproducing an old photograph of the picture);
Reproduced in colour on the dust wrapper and spine of the Meryle Secrest biography 2004.
Colin B. Bailey, Building the Frick Collection: An Introduction to the House and its Collections (2006) p.71, fig 66.
Colin B. Bailey, Fragonard’s Progress of Love at the Frick Collection (2011) p. 125, fig 107

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Notes

A 1920s photograph which Duveen sent inscribed to the artist, ‘To my dear friend Muller-Ury, Joe’.

The sitter was born on October 14, 1869 in Hull in Yorkshire, the eldest son of the thirteen children of Sir Joseph Joel Duveen who founded the famous art dealing business with his brother Henry. Joseph Duveen was knighted in 1919, created a Baronet in 1926, and created a Peer in 1933. He died at Claridges Hotel, London, on May 25, 1939.

Bibliography:

S.N. Behrman, Duveen, Hamish Hamilton, London, 1952, 1972

Edward Fowles, Memories of Duveen Brothers, Times Books, London, 1976

Colin Simpson, The Partnership, Bodley Head, London, 1987.

Meryle Secrest, Duveen: A Life in Art, hardback, New York, 2004; paperback, Chicago 2005.

Part of the picture article in the New York Herald.

The present portrait of Duveen appears to have been executed in early 1923 when the sitter was nearly 54.  The portrait was reproduced in an almost completed state on the easel in The New York Herald picture article of the artist in his studio, no doubt published because Muller-Ury had completed several portraits of Pope Pius XI in the summer of 1922 and in March 1923 he had been honoured by the pope with a Knighthood of St. Gregory the Great.  The caption to the photograph reads ‘Although Muller-Ury never laughs during a sitting, Sir Joseph Duveen has just told an anecdote that compels the artist to break his rule.’

Meryle Secrest has recently described the present portrait as ‘particularly sympathetic…uncharacteristic and revealing’ and one cannot doubt that after more than thirty years acquaintance Muller-Ury had indeed been able to portray something of the inner restlessness that drove his friend. 

It is known that a portrait of Duveen was exhibited at the artist’s last show ‘Portraits and Roses’ at French & Co. Inc, New York, April 21 – May 3, 1947, as No. 11, but which of the three portraits is unknown.  An extra lot called Portrait of Sir Joseph Duveen was sold at the Plaza Art Galleries, 9-11, East 59th Street, New York, Friday Evening, December 5, 1947, Sale No. 2813, as Lot 75C (Sold for $20.00 – marked copy in the Frick Art Reference Library).


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